Wednesday, November 10, 2010

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Pont Alexandre III.











again turn to the pictures I took of this case is París.En de una vista parcial del puente con las dos torres que hay a la entrada del mismo.Era un día de primeros de marzo con nubes y claros, de repentinas lluvias.El Sena viaja brioso y turbio.Las vistas de la ciudad desde el río ofrecen una ciudad señorial, monumental, de arquitecturas elegantes y equilibradas.



Bueno, el cuadro está iniciado, a ver como lo acabo.


Ya está el cielo pintado(azul ultramar claro, azul cobalto, laca, tierra siena tostada, blanco de titanio, violeta permanente).Pincel plano de cerda nº 12 y 6.Inicié la zona de cielo y luego las zonas más oscuras de las nubes hasta finalizar con casi blanco.Errores: creo que he abusado del aceite flaxseed, too bright pintura.Creo layer that had to be contrasted more clouds, I have gone a little fluffy.


I noticed that the horizon is too centered in the frame, should take five to six cm. river, which will take a role that was not looking, and it will be critical in the outcome of the picture.

bridge I had to delete two or three times, gave no color with exacto.Luego those lines so close together that little job I cuestan.Siendo a key element should be better.

This picture is making me suffer more than necessary.

Monday, November 8, 2010

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Filomeno, I pesar.Gonzalo Torrente Ballester.


Excellent first-person novel that chronicles the vicissitudes of Filomeno Freijomil during a stage of life (coinciding with notorious events of the twentieth century history, such as the Second World War and the war English civil).
fluido.Destila a lively style and humor, a smile on the reader in the narrative and description of some secuencias.Pero, above all, lots of literary quality.

Saturday, October 30, 2010

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L'Institut de France and Pont des Arts. Notre Damme







A boat trip along the Seine appeared this dome before crossing under the bridge.


I have the pencil sketch, then to make the first layer aguarrasada with an old brush and dragged hard graphite pencil contornos.Al outlining the same time, giving an initial assessment tonal.Ahora see the flashlight I have to flatten slightly.


My intention is to finish the painting in one sitting, working quickly.


Today I continued the cuadro.Primero the sky (clear ultramarine blue, indigo, lac, titanium white), I have been very dark, there was no contrast to the dome, in the end I decided to remove it with turpentine. I followed with the architecture (Cadmium yellow, yellow ocher, lacquer, ultramarine blue, permanent violet, white titanium) I've worked a lot faster this area covering the planes and contours that are not outlined in negro.Me looked like that efecto.He more colorful effect that dwell on the color used detalles.He almost straight tube, and I restrgado with an old brush hair duro.Conclusión: I found an interesting method to architectural structures, but that does not fit plans are not limited as mares.Este heavens or method could be interesting in painting frutas.tiene the advantage that the drawing is not, quite the opposite is enhanced giving the appearance naive painting, where color takes center stage without losing lines.
I have painted the sky cadmium yellow, dark yellow ocher, red ocher, a pinch of white lacquer and titanio.Creo that there is more harmony of color, contrast complementary in this case.